The original image was taken in black-and-white, and Heiden experimented with a variety of treatments of the photo, to go along with the album's title, and finally arrived at the blue toned, hand tinted version of the image. In the US and Canada, the cover did not have any logo, but in the European nations, they were sold with Madonna's name and album title on the cover. Heiden explained in an interview with Aperture magazine that they thought it would be "cool" to use a shrink wrap on the US covers, so that when one took it off, there would only be the photo of Madonna.
The back sleeve and the booklet inside featured the song titles in Heiden's own handwriting. It was like she was floating—her clothing was not visible. She took on the appearance of a marble statue—Goddess like. In the vertical cropping you see her leather jacket and the wall, and it becomes more typical, editorial, earthly.
- Electrochemistry for Materials Science.
- Cato oder Von dem Greisenalter (German Edition);
- Sisters-Six and One to Grow On;
- Rockabye Basie.
- Afro-Caribbean Religions: An Introduction to Their Historical, Cultural, and Sacred Traditions.
- true blue - Wiktionary.
According to Lucy O'Brien , author of Madonna: Like an Icon , the album artwork was on-par with Andy Warhol 's concept of pop art. Jeri Heiden, the album's cover designer, commented, "She was already highly aware of the value of her image and was in control of it. After I took the photo, it appeared as if she was floating—her clothing was not visible. She took on the appearance of a marble statue, goddess-like.
The late s marked a new era of the pop artist as a brand, and Madonna became the first one to exploit this. Erica Wexler from Spin described Madonna on the cover as "like a cobra basking in the hot sun, Madonna on the cover of her new album stretches her profile lasciviously.
Randy Taraborrelli commented in Madonna: An Intimate Biography , that the album cover indicated how True Blue was a vehicle of growth for Madonna. He felt that the "washed out color photograph" of her with head tilted back and eyes closed was "understated", especially when compared to the sexier poses she had been associated in the past. Musically and technically superior to her previous Virgin Tour , the Who's That Girl tour incorporated multimedia components to make the show more appealing. Madonna trained herself physically with aerobics, jogging and weight-lifting, to cope with the choreography and the dance routines.
Leonard became the music director and encouraged Madonna to go with the idea of rearranging her older songs and presenting them in a new format. The show included song-and-dance routines and theatrics, seven costume changes, and an encore consisting of the title song " Who's That Girl " and " Holiday ". Two concerts from the tour were later released on music video, Who's That Girl: Live in Japan , which was exclusive to the Japanese market and Ciao Italia: Live from Italy which was released internationally.
The song was the second ballad for Madonna after " Crazy for You ",  and was used in the film At Close Range which starred her then husband Sean Penn. The song was received positively by critics with most of them calling it "her best ballad to date" as well as a "tremendous ballad that rewrites the rules of adult contemporary crossover". It was critically appreciated with most of them declaring it as "the stand-alone song" from the album,  also that "with songs like 'Papa Don't Preach', Madonna made the transition from pop tart to consummate artist, joining the ranks of 80s icons like Michael Jackson and Prince.
It is a dance-pop song inspired by the Motown 's girl groups from the s. The song became another top ten hit for Madonna reaching number three on the Billboard Hot chart,  and peaked at number one in Ireland and the United Kingdom.
True Blue (Madonna song)
The song was appreciated critically with critics comparing it with sweeter post-Motown valentine songs,  and "perfect" for dancefloor strut. The song describes Madonna as a tourist who prays "that the days would last, they went so fast". True Blue received general critical acclaim. The album's songs were described as "catchy", but Sigerson also commented on the lack of "outstanding tracks". He ultimately stated that True Blue is a "sturdy, dependable, lovable new album" which "remains faithful to her past while shamelessly rising above it".
Stephen Thomas Erlewine , in a review for AllMusic , declared it as "one of the great dance-pop albums, a record that demonstrates Madonna's true skills as a songwriter, record-maker, provocateur, and entertainer through its wide reach, accomplishment, and sheer sense of fun. Entertainment Weekly reviewer Jim Farber said "Though Madonna's third project finds her adding to her palette with Spanish pop "La Isla Bonita" and messing with our heads with its seeming anti-abortion song "Papa Don't Preach".
Also notable for 'Live to Tell,' her best ballad to date". With all her contrivances and the delighted tunes that I can't exorcise from my head, her mystique is still explained by the young beefcake who told me, 'I love to pump iron to Madonna'. In the United States, True Blue debuted at number 29 on the Billboard  and reached number one on the issue dated August 16, True Blue was also a commercial success in Asia and Oceania.
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In Japan, the album peaked at number one on the Oricon LP chart. True Blue achieved its biggest commercial reception in European countries, where it topped the European Top Albums chart for 34 consecutive weeks—a record that has yet to be broken—from issue dated July 19, to March 7, Stephen Thomas Erlewine noted that " True Blue is the album where Madonna truly became 'Madonna the Superstar '—the endlessly ambitious, fearlessly provocative entertainer that knew how to outrage, spark debates, get good reviews—and make good music while she's at it.
Sickels, the author of Entertainers Who Changed America: An Encyclopedia of Pop Culture Luminaries , wrote that the album "cemented Madonna's place as the most popular female musical star of the s, shining alongside male pop icons like Prince and Michael Jackson. Regarding Madonna's influence on the record industry and younger artists, Debbie Gibson 's then manager Doug Breitbart commented: She has a very youth-oriented, up, bubbly, fun sound. The global success of True Blue marked the first time Madonna entering the Guinness Book of World Records in its edition, where she was dubbed as the most successful singer for True Blue also made social impact through its music videos, as author John E.
Semonche observed in his book Censoring Sex that Madonna pushed the envelope of what could be shown on television which resulted in increase of her popularity. She appeared as a stripper in the video, who escapes with a young boy from the strip parlour in the end. Author Douglas Kellner noted that the multiculturalism in her music videos and her culturally transgressive moves "turned out to be highly successful moves that endeared her to large and varied youth audiences.
Thousands of viewers submitted their recorded tapes which were mainly made using home-made video equipment and featured themselves or relatives as the actors. She became the first female artist to receive such career achievement from MTV. Credits adapted from the album's liner notes. From Wikipedia, the free encyclopedia. Madonna Stephen Bray Patrick Leonard.
March 26, " Papa Don't Preach " Released: June 11, " True Blue " Released: September 29, " Open Your Heart " Released: November 19, " La Isla Bonita " Released: Whenever I feel like that — and it does get to me sometimes — I say 'Wait a minute, I'm supposed to be having a good time here, so where's the party? I can still enjoy life. Who's That Girl World Tour. True Blue cemented Madonna's position as the most popular female artist of the s, on par with male superstars Michael Jackson left and Prince right. Madonna Gardner Cole Peter Rafelson.
Madonna Leonard Bruce Gaitsch. Madonna Bray Shep Pettibone [a]. Madonna Leonard Chris Lord-Alge [a]. Madonna — producer , lead vocals , background vocals Jeffrey Kent Ayeroff — art direction Dave Boroff — saxophone Stephen Bray — producer, music programming , drums , keyboards , drum programming Keithen Carter — background vocals Paulinho da Costa — percussion Bruce Gaitsch — guitar , electric guitar , rhythm guitar Siedah Garrett — background vocals Dann Huff — guitar Michael Hutchinson — engineering Jackie Jackson — background vocals Paul Jackson, Jr.
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True Blue (Tina Brooks album) - Wikipedia
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- Wordplay and the Discourse of Video Games: Analyzing Words, Design, and Play (Routledge Studies in New Media and Cyberculture)?
- True-blue | Definition of True-blue by Merriam-Webster.
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